Spirit Halloween created its philanthropic arm, Spirit of Children, in 2006, starting with 11 partner hospitals across the country. Die-hard Halloween enthusiasts ready to celebrate around the clock can visit Spirit's online store, available year-round. Stores begin to open as early as July, marking the highly anticipated start of the Halloween season. Since 1983 Spirit Halloween has offered a one-of-a-kind experience that remains unmatched in the industry.
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In fact, Spirit knows how to have so much fun, it's scary! Known to many as an exciting and interactive event for shoppers, Spirit stores offer complete selections of costumes and accessories for infants/toddlers, children, 'tweens, teens, and adults, along with exclusive jaw-dropping animatronics and décor you won't find anywhere else. Celebrating nearly four decades of business, Spirit has cemented its position as the premier destination for all things Halloween. (The crooked teeth Depp sports in the film were reportedly inspired by his beautiful, and gap-toothed, wife, Vanessa Paradis.Spirit Halloween is the largest Halloween retailer in North America, with over 1,450 pop-up locations in strip centers and malls across North America. Baliel and team topped off the actor’s look with an orange wig, clownlike makeup and tinted contacts, based on a watercolor Depp and Burton made. “He’s a real person with a great amount of heart in the story, so to have him running around in something that distracted from that would have been a mistake,” says Atwood, who dressed the actor in “playful but still traditional” garb. The actress kept her brows dark and stained her lips “because we tried to still make everything a little bit twisted,” says Baliel.ĭepp, who plays the Mad Hatter, was set up to look like an actual hat maker from the Edwardian era. Atwood describes the frothy, Victorian-inspired number she whipped up for the actress as “Stepford fairy princess.” Baliel and team complemented Atwood’s effort with a long wig of real human snow white tresses (a rarity in the wig world, notes Baliel). The collaborators went in the opposite direction for Hathaway, who, as the benevolent White Queen, is a foil to Bonham Carter’s character. Though Atwood demurs, “I think her acting did the intimidating, not the costume.” On top of that, Bonham Carter’s head was digitally enhanced to appear three times its normal size. Then, the hair and makeup team fitted the actress with a prosthetic forehead that pushed her hairline back and a heart-shaped wig that weighed three pounds (“which doesn’t sound like a lot,” notes Baliel, “but when you’re just supporting it, it really is”). First, Atwood made Bonham Carter’s head seem larger by outfitting the actress with a dress she describes as “tipped to Elizabethan” with a nipped-in waist and high collar.
“I got to do all these new things I hadn’t done before,” says Atwood, who has worked with Burton on seven previous films including “Big Fish” and “Sweeney Todd.”Ĭase in point is Bonham Carter, whose imposing get-up as the sinister Red Queen required all hands on deck. What’s more, since Burton used a technique that combined live action with animation, Atwood was able to enhance her designs with the magic of movies. The costume designer relied on an extensive hair and makeup team that included head makeup artist Valli O’Reilly and hair department head Terry Baliel. Atwood can only take partial credit for the cast’s on-screen appearance, though.
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